Like many, throughout 2020 Chinese-born, US-based filmmaker Zhengfan Yang (Where Are You Going, IFFR 2016) looked closer at his immediate surroundings. From his apartment complex in Chicago, the filmmaker records ostensibly quotidian scenes: people walking, window cleaners, street sweepers; life viewed from inside a bubble. This seemingly safe bubble is soon overlayed by audio ...$#IFFR51# Harbour。7分吧，跟朱声仄可能都受到了班宁的影响，不过比朱声仄的更冷静一些（所以感染力上还是差很多）。声画分离的数据库式电影，画面是4-5分钟的大全景略俯拍固定长镜头（应该是从楼上拍的），声音则是来自broadcastify的警用无线电foundfootage录音，也进行了数据库式的分类处理。从声音方面建构了疫情下的芝加哥“罪案现场”，还是挺有意思的（跟邦哥的《记忆》阿巴斯...$1.5$#iffr_2022#海港，声画分离，一如既往他们Burn The Film工作室风格的片子，从表达上来看，杨比朱更克制。$#鹿特丹#海港单元。作为朱声仄前几部作品的制片人、摄影师，影片摄影和概念不错。声画分离，疫情下的芝加哥公寓内外图景，和警局案件之前的无线电讨论声音，无形间对照匹配。焦灼气氛之下的离群索居孤独感，正是疫情当下社会写照。和《河流》那部拍摄的武汉或许有异曲同工之处，但只有形式，文本执行还是偏向单薄。$多段监控式的俯拍长镜头，安静场面下的渺小个体，用声音引导观众理解故事走向，文本偏弱，但呈现方式不乏有趣的实验色彩。
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