As in his earlier films, this uncompromising Iranian director works through repetition, his style so unemphatic that the slightest modulation (the same action seen from different perspectives, for instance) carries a charge. Saless' camera simply fastens, in long, uninflected takes, on the daily rountine of a Turkish worker in Berlin, a Gastarbeiter like any other. We see him a...$https://www.youtube.com/watch?v=VXaNmnvKZD0$萨利斯“生命三部曲”终篇，依旧用冷峻简约的风格来展示生活的本质和无尽的孤独感，拍完这部电影后，导演就彻底离开了自己的故土去了欧洲发展，不知道这算不算一种艺术家对于自身命运的预言呢？$萨利斯拍尽了日复一日的发条生活，远离家园，机械时代的人的异化，疏离感以及漂泊感，最后一部大地上的异乡者，生命三部曲是孤独的感性显现。$依旧简素精致，不过没上下两部扎心，一定是我现在对自己未来的生活过于期待了$寻找多年资源无果，竟在油管偶得。集齐萨勒斯“生命三部曲”，感谢vpn！
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