First feature film from Hungarian director Miklos Jancso, The Bells Have Gone to Rome (1958) tells a story about a group of secondary school students during the last days of the War. 杨索剧情片处女作,尚未发展出任何此后惊世骇俗的长镜头手法。整体处在新现实主义的影响之下(对年轻人的处理颇似早期费里尼)。无字幕看个热闹,具体分析(如“抒情现实主义”之类)可参见Iván Forgács的文章:http://www.kinoeye.org/04/02/forgacs02.php$6。杨索的视点在50年代的这片里已体现,不过还没之后的镜头